Showing posts with label yeats. Show all posts
Showing posts with label yeats. Show all posts

Wednesday, 8 June 2016

Interlude: A return to the Island in the Lake

I know, I know for a blog called the Talking Oak I have been silent since December. My PhD schedule has been crazy and finding inspiration for blogging when your mind is on academic stuff is really hard. But I have my annual review on Monday so will be back blogging during the lull in studies after that. The good news is my thesis 'The Celticist Infulences of Tennyson' is coming a long really well, I'm really proud of it.

For now though I would like to have a little return to musical versions of The Stolen Child by Yeats that I covered in chapter 6

Recently a beautiful new version by the fabulous American Cellist/Singer Unwoman as part of a collection of poems put to music.

Photo from facebook
I have been a fan of her's for a long time and it is really cool to hear her tackle one of my favourite poems. I also love how different it is to the versions I have already talked about. It is amazing that the same words can be used in so many different ways. While maybe not as mornful as The Waterboys or Loreena McKennitt's versions, there is still a sinister darkness that befits the intent of the Faeries in the poem. 
Take a listen for yourself:











Wednesday, 23 September 2015

Chapter 6: Come away, O human child!

W.B Yeats is usually seen as a early 20th century poet but my favourite of his poems The Stolen Child was published in 1889. I love it's beautiful and heartbreaking tale of the taking of a child by faeries, the final stanza in particular brings me to tears. And much like my experiences disovering Tennyson, I first discovered the poem by way of music.

There have been many musical versions of the poem, however the first one that I heard and fell in love with was recorded by The Waterboys (which spoken word sections by Tomás Mac Eoin) for their 1988 record album Fisherman's Blues. I really think it captures the heartbreaking otherworldliness of the poem with Mike Scott's haunting vocals matching up perfectly to Mac Eoin's reading of the text.


I also love Loreena McKennitt's version from her 1985 album Elemental


More recently my brother played me a version by British folk act Merrymouth from their 2012 debut album witch is also extremely good.



I know that there are other song versions of the poem but these are the three I'm most familiar with so sorry if I missed out anything.

The Waterboys - Fisherman Blues Amazon US | Amazon UK
Loreena McKennitt - Elemental Amazon US | Amazon UK 
Merrymouth -  Simon Fowler's Merrymouth Amazon US | Amazon UK